The Historian: Book Review
As an English undergraduate, there were many (many, many, many) books that I picked up with the intention of reading...and never finished. A lot of them, I never even started.
I mentioned that a few posts back in a review on The Strain series and the connected TV show. After reading and watching that series, it seemed natural to continue dealing with the undead, It felt natural to remain on a path of vampires, and to revisit another failed reading attempt. Amazon tells me that I bought the Kindle copy of The Historian in August 2012, probably a similar time to The Strain: clearly, my brain was in that same vampiric world as I am now.
The Cloverfield Para-problem - The Cloverfield Paradox (2018)
A script, by Oren Uiel, bought by Paramount ,who announced the movie in 2012, started a production cycle that we mere mortals are not meant to understand. Supposedly, this script landed near the divine hands of JJ Abrams who saw fit to repurpose it for the goals of a franchise attempt: God Particle became The Cloverfield Paradox….
The Strain Or The Struggle
Somehow, I just couldn't (and still can't) find salvation in The Strain, either the books or the TV show.
I guess the clue is in the name, really?
Putting Your Dick In Crazy - Tom Hardy's Taboo (2017)
Saturday evening on the BBC: I think the polite term here is "fluffy," full of appointment-viewing that you're not exactly heart-broken to miss. (Doctor Who and Strictly Come Dancing are on the better end of the spectrum, some weeks anyway; then you have perpetual hanger-on Casualty, a show that's lasted longer than most of its patients.) Whatever some Whovians might insist (that's the word, right?) it's not that usual to find something meaty, substantial and enthralling on the Beeb of a Saturday night.
But that's enough about Tom Hardy, I should probably talk about the show.
Taboo brought sex and ultra-violence to Saturday viewing for a whole eight weeks, and on an evening usually reserved for fluff, the show tried hard to give Game Of Thrones a run for its money. It's a comparison that isn't entirely deserved: Taboo stood out on its own merits, but there were enough beats and faces that at least someone on the production office had to know what they were doing.
Up Up Down Down - As Above, So Below (2014)
In some alternate universe, I still write regular movie and video-game reviews, running my own entertainment website. In that same universe, I am now A FUCKING MEDIA MOGUL and next in line to be president of an undefined country.
In this universe, however, I'm a normal guy who's fallen out of the habit of being creative, shut down his old website and doesn't even have that many movies under the Reviews tab of this blog.
That One Kids TV Show You Barely Remember
Over the last few months, I've noticed little things coming back. Whether it's my brain firing synapses that haven't been touched in a very long time or if it's that things from the past are becoming cool once more, I'm not entirely sure.
RETRO IS IN, I declare to nobody in particular.
From The Cave To The Heavens - Batman V Superman: Dawn Of Justice (2016)
Yeah, I saw Batman V Superman: Dawn Of Justice. At this stage, a lot of people have seen it.
And a lot of people didn't like it.
No, I'm holding my punches there: a lot of people hated it, and have been spewing such horrible, affected vitriol in the general directions of this film that its making me question their fucking sanity. Because it's a film about fictional characters, and if you care that much about these characters and how they have been 'ruined' by this movie, then you don't really understand much about fiction or these characters.
Number Of The Beast - 10 Cloverfield Lane (2016)
Decadence On The 30th Floor - High Rise (2015)
Based on the book of the same name by JG Ballard, High-Rise is a project long in the making, finally brought to our screens by Ben Wheatley. This is easily the biggest project of Wheatley's career so far: the director behind Kill List, Sightseers and A Field In England, Wheatley has finally gotten his teeth into a much larger project (cast, budget, content, you name it.) He brought High-Rise to the ADIFF (Audi Dublin International Film Festival, for the uninitiated) and appeared for a Q&A after the screening.
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